Gunilla Iversen

Ars edendi. Methodological Models for Editions of Medieval Texts. An Editorial Laboratory in an International Network

The aim of the Ars edendi programme is to develop new methods of editing significant and characteristically medieval kinds of texts that have played an important role in the cultural memory of Europe. The material is preserved in archives and libraries in an enormous number of manuscripts that few are able to read today. It is often a question of anonymous compilations of several textual layers, such as commentaries on the bible or on hymns and sequences, texts for liturgical use with local variants, e.g. liturgical poetry, breviary lessons, model sermon collections, florilegia or encyclopaedical works, all of which had crucial influence on medieval thought. Precisely because these kinds of texts were so widely used and copied in great numbers, they have often been left unedited, since making them accessible in reliable and methodologically well planned editions is a complicated and time-consuming task. Our aim is to help make this textual treasure of our common cultural heritage more accessible for present day and future readers, historians, theologians, musicologists and literary scholars. Within the framework of an editorial laboratory at Stockholm University, the goals of the Ars edendi programme include developing methods suitable for various kinds of multilayered medieval texts, offering model editions of these textual genres, assembling an international network of scholars working on similar material and, finally, producing a handbook offering theories and practical methods for editing such texts.

Final report

2009-2016
Ars edendi
www.arsedendi.org

Aim of the Programme
Ars edendi was created as an editorial laboratory within an international network with the aim of developing practical methods to edit specific kinds of texts in Greek and Latin that were both characteristic of and important in medieval Europe. This textual culture includes not only a large number of biblical commentaries but also other typical texts in constant use, including collections of model sermons, breviary readings, repertoires of liturgical tropes inserted at will in the Gregorian chant at Mass, and commentaries on hymns and sequences. Here one also finds various types of anthologies as well as collections of witty and wise maxims of ancient celebrities (so-called gnomologies) with roots in Hellenistic times but transformed by medieval scribes for use in rhetorical training. Although all these texts have a significant rôle to play in medieval culture, today they are little known and studied. Perhaps one reason that these functional texts from the Middle Ages have not attracted much interest among textual scholars is the effect of gradual changes in views about esthetics, hermeneutics and creativity. By placing a focus on functional texts we are also bringing into focus what might be termed things in the public domain, that is, the kinds of things that "every" medieval person might learn and be acquainted with, things that lay at the heart of their culture and the transmission of knowledge.
The research team included from the start: Gunilla Iversen, Alexander Andrée, Brian Jensen, Erika Kihlman, Eva Odelman and Denis Searby. This core group expanded later to include Alessandra Bucossi, Barbara Crostini and Elisabet Göransson. Andrée is now at the Centre for Medieval Studies in Toronto and Bucossi at the University of Ca' Foscari in Venice. Visiting scholars were Georg Stenborg, Pia Carolla and Mark Kauntze. Eric Cullhed, Robin Wahlsten Böckerman, Klara Lagerlöf and Agnes Vendel were included in the AE as research assistants.

Most important results of the programme
The programme both developed and modified established editorial methods to apply them to each of these textual types characteristically in use in the Middle Ages. We have discussed and considered methodologies from traditional Lachmannian methods to New Philology and engaged in the field of digital humanities. In the collaborative book, The Arts of Editing, to which members in the AE network also contributed, traditional editorial methods are discussed and assessed in relation to the selected texts and are compared with new or modified methods. Such empirical and explorative discussions are seldom published but offer an entry into the workshop. Methodological development within AE has primarily started from diplomatic, genealogical or so-called semi-critical methods. In addition, methods have been developed to reproduce a text tradition in its entirety and make editions accessible in digital form, which brings new challenges. See below under publications for an overview of the most important textual types and methods in the eight editorial projects of AE members and for our collaborative volume The Arts of Editing. AE scholars have made contributions to methodological developments in philology on an international level and have inspired discussions and collaborations with other scholars working on medieval Greek and Latin texts and their cultural contexts. New primary sources have been uncovered in several projects. Many earlier overlooked manuscripts and textual sources have been found, Discussion concerning the editing of both Greek and Latin medieval texts, which are often treated separately in scholarship, has proved to be very rewarding for our collaborative research in AE. All the editions by AE will be read and used by other experts specializing in different aspects of medieval European culture, such as historians (including art and intellectual history), musicologists, theologians and literary scholars.
Together with the AE network, the core group has carried out a comprehensive programme of guest lectures, seminars, and workshops on textual philology. These activies and publications were summarized every year in the AE Annual Reports (Ap. 1).

Research questions generated in the programme
Questions concerning editorial methods have been explored with respect to specific kinds of medieval texts. Many of these texts involve various layers, e.g. a base text with interpretations and commentaries on it, these often being compiled from Church Fathers or other early writers, or are simply functional texts being manipulated for a new context. An important task for the editor is to identify sources in such compilations. The editorial procedure also needs to be adapted to the intended medium of publication and readership. Is a more or less diplomatic edition of a single manuscript most appropriate or should one attempt an edition covering all local versions? In what cases is a digital edition preferable to a printed book? How can an editor find the appropriate limit when faced with cumbersome source material, whether it is a case of a voluminous text or an unwieldy number of manuscripts? For such kinds of texts traditional editing methods are impractical. At times even the question of what constitutes the text is not straightforward. Does the text represent a completed work or was it part of a constant work in progress? The answer is often that it is a case of a functional text in a state of flux. In such a case it may be more interesting and important not to attempt, as a simple matter of course, to reproduce the most original form but to give present-day readers the opportunity to follow the procedures of the medieval users and authors in changing, varying, compiling, as they redacted their texts to suit different purposes.

The programme's international context
We have been fortunate to have as international members in our Advisory Board: N. Bell, British Library, London / Trinity, Cambridge; R. Berndt, Frankfurt; R. Beyers, Corpus Christianorum, Antwerpen; T. Janz, Vatican Library; NH Petersen, Copenhagen; F. Pontani, Venice; J. Ziolkowski, Harvard.
An extensive international network has been created around AE both through numerous meetings, workshops and conferences, and through collaboration with scholars from other disciplines as well as through the open lectures later published in the volumes of the Ars Edendi Lecture Series. This series is intended to continue at SU even after the conclusion of the programme. The collaborative work on The Arts of Editing Medieval Greek and Latin: a Casebook (PIMS) has involved cooperation between the AE team and international scholars within the AE network (Ap. 1-5).

Research Outreach
We have reached out with our methodological developments and discussions in various ways, both to Ph.D. students or students intending to go on to postgraduate studies as well as to the interested public. AE scholars have increasingly been sought for advice on editorial issues, not only within Greek and Latin studies but also in other areas (Romance languages, Sanskrit, codicology, theology, musicology and more). We organized a conference in Toronto 2010, and will organize a Swedish-language colloquium as well as a final international conference (The Arts of Editing: Past - Present - Future) in August 2016 (see Ap.7). AE team members have organized open seminars on text editing and several doctoral students have worked on dissertations in textual scholarship during these years as a direct result of contact with AE. We organized workshops in Stockholm, Uppsala and Lund, as well as in Paris and Piacenza. Göransson has created a doctoral-level, interdisciplinary web-based course in Lund on Early Text Transmission.
For a wider public, Kihlman has been a guest blogger on RJ.se and presented AE at the Book and Library Fair in Göteborg. Kihlman and Searby have written newspaper and magazine articles for a general readership. Iversen has compiled the booklet in Swedish about the programme. With the help of Mikael Agaton, we have produced an informative video available in both a brief and long version (downloadable at RJ.se and arsedendi.org (Ap.1 and Jubileumsfonden-YouTube).

Most important publications
Apart from the AE lectures and a sizeable number of scholarly articles and studies analyzing textual and editorial issues, the most important results are the textual editions produced in the individual projects of AE (see List of Publications & Ap.3, 5, 6).
1. A Latin Bible commentary: the Glossa on the Gospel of John by Anselm of Laon from the late 12th century. The edition is based on 14 manuscripts, carefully selected from hundreds. The edited text represents the outcome of an analysis of the textual components' structural organisation, rather than of the common errors. Editor: Andrée.
2. An interactive digital edition and a printed edition of a Greek psalm commentary (prefaces, glosses, commentaries) with text and images in a Greek manuscript from the 1050s in the Vatican Library, Vaticanus graecus 752. The material is studied in a volume of the series Studi e testi. The manuscript text is edited both in an interactive digital edition (text of psalms, commentary, prefaces, image headings) in collaboration with the Vatican Library, and in printed form with an edition of Hesychius' preface to the psalms. Editor: Crostini.
3. Liturgical poetry: tropes in many local versions on the Gloria in the medieval Roman Mass. Corpus Troporum XII: Tropes du Gloria has been published in two volumes with an account of all the local versions found in 137 manuscripts from various locations in Europe from the mid-ninth century to the 1250s. One single trope can often involve more than 50 alternative trope verses. The material contains a large number of wandering verses that can turn up in several different tropes. Tables show all the various verse combinations in the manuscripts using a method that displays the local versions clearly. Editor: Iversen.
Additionally: An analytic study of the texts and music of liturgical poetry with an anthology and a CD: La parole chantée. Invention poétique et musicale dans le Haut Moyen Âge Latin. Editors: Colette and Iversen.
4. Sequence commentaries: a collection of commentaries to the sequences for the full liturgical year. The edition contains a synthetic text that was established using the concept "the representative text", a method developed for source material involving significant intentional variations. The representative text means that a critical text can be produced based on several witnesses and in consideration of the entire manuscript tradition and textual transmission, but that the editorial principles do not depend on archtypes and their reconstruction. Editor: Kihlman.
5. A collection of model sermons for the feasts of the liturgical year. The collection, attributed to Nicolaus de Aquaevilla (13th century), was intended for free use as a model for scriptural exposition in homilies. It was frequently used by preachers in Vadstena. This edition is based on an incunable, a controversial editorial procedure, as well as on three earlier manuscripts, one of which may be the original of the incunable. Editor: Odelman.
6. A complete local lectionary with readings for the divine office for the full liturgical year found in four manuscripts from the second half of the twelth century from Piacenza in northern Italy. The texts are compiled with passages from commonly read Church fathers and early commentators as well as with texts written for local usage in Piacenza. This enormous material is being published in a modified diplomatic edition in four volumes. Editor: Jensen.
7. Medieval collections of Greek maxims and apophthegms (so-called gnomologies) originating in Hellenistic times, compiled in manuscripts from the tenth to sixteenth centuries. In this editorial project, it is a matter of charting out and editing a given textual tradition rather than a singular text. These collections of apophthegms are clearly related as to organization, sequence and contents, but contain such numerous variations that one can neither establish a stemma nor reconstruct one original collection from which all others derive. The material is being published both in digital form under the title Apophthegmata et gnomae secundum alphabetum and in a printed book, entitled The Sayings and Maxims of the Greeks: An edition of the Gnomologicum Vaticanum and related collections. Editor: Searby.
8. A twelth-century, polemical Greek dogmatic treatise against the Roman church, which includes a dialogue and two sets of compilations: a commented anthology and a collection of syllogisms on the procession of the Holy Spirit against the Latin addition of the Filioque into the creed. The text is entitled Sacrum Armentarium and was written by Andronikos Kamateros. The final critical edition contains five apparatuses (Biblical apparatus, apparatus of sources and parallel passages, traditional critical apparatus, apparatus of variants and Apparatus Collationum Fontium). The particular structure and the polemical orientation of the text required a specific analysis of the way in which the author quoted the patristic authorities, in order to verify the accuracy of the anthological sections, so the editor used the latter apparatus, which editors of Byzantine texts have recently started to test. Editor: Bucossi.
9. The Arts of Editing Medieval Greek and Latin. A Casebook. A collection of case studies by 18 textual scholars within AE and its international network, in which the authors discuss the pros and cons of different methods they have used to edit various specimens of typical medieval genres. The contributors involved were specifically chosen because their ongoing or finished editorial projects either fit within or bordered closely on the areas in focus for AE. Editor: Göransson in close cooperation with Iversen, Crostini, Jensen, Kihlman, Odelman and Searby.

Publication strategies
Apart from the digital venues, we have found it most effective to publish our editions with well-known international publishers that have good peer review processes, such as series like Corpus Christianorum. Series Graeca, Corpus Christianorum. Continuatio Mediaevalis, or the series Témoins de notre histoire Turnhout: Brepols, SISMEL in Florens or Writings from the Greco-Latin World or PIMS in Toronto. Like earlier volumes of tropes for the Ordinary of the Mass, the edition of tropes to the Gloria has been published in the series Studia Latina Stockholmiensia, SU, and is downloadable from DIVA SUB.The articles are published both in scholarly journals with peer-review and in conference volumes.

For Appendix 1-7 see Publikationslista

 

Publication

 

PUBLIKATIONSLISTA + APPENDIX 1-7

BÖCKER:

Samlingsvolymer:
Ars Edendi Lecture Series I, red. Erika Kihlman och Denis Searby. Studia Latina Stockholmiensia 56 (Stockholm, 2011).

Ars Edendi Lecture Series II, red. Erika Kihlman och Alessandra Bucossi. Studia Latina Stockholmiensia 58 (Stockholm, 2012).

Ars Edendi Lecture Series III, red. Eva Odelman och Denis Searby. Studia Latina Stockholmiensia 59 (Stockholm, 2014).

Ars Edendi Lecture Series IV, red. Barbara Crostini, Gunilla Iversen och Brian M. Jensen. Studia Latina Stockholmiensia 62 (Stockholm [2016]).

The Arts of Editing Medieval Greek and Latin. A Casebook, red. Elisabet Göransson, Gunilla Iversen, Barbara Crostini, Brian M. Jensen, Erika Kihlman, Eva Odelman och Denis Searby (Toronto: PIMS [2016]).

Ars edendi Conference, 21–22 September 2010, Toronto <http://medievaltexts.utoronto.ca/2012/01/papers-from-the-ars-edendi-workshop-2010/>.

A Book of Psalms from Eleventh-Century Byzantium: the Complex of Texts and Images in Psalter Vat. gr. 752. Proceedings of an Ars edendi Workshop,Rome, 11-13 June 2012, red. Barbara Crostini och Glenn Peers. Studi e Testi (Vatikanstaten [2016]).

Editioner:
ANDRÉE, Alexander
Anselmus Laudunensis Glosae super Iohannem. Corpus Christianorum. Continuatio Mediaeualis 267 (Turnhout: Brepols, 2014).

BUCOSSI, Alessandra
Andronicus Camaterus. Sacrum Armamentarium: Pars Prima. Corpus Christianorum. Series Graeca 75 (Turnhout: Brepols, 2014).

Andronikos Kamateros: Sacred Arsenal: Part I. Translated Texts for Byzantinists (Liverpool: LUP [2016]).


IVERSEN, Gunilla
Tropes du Gloria, vol. 1: Introduction et édition des textes; vol. 2: Aperçu des manuscrits. Corpus Troporum XII. Studia Latina Stockholmiensia 61 (Stockholm: Stockholms universitet, 2014).   

med Marie-Noël Colette, La parole chantée. Invention poétique et musicale dans le Haut Moyen Âge. Témoins de notre histoire 18 (Turnhout: Brepols, 2014).

JENSEN, Brian M.
The Story of Justina and Cyprian of Antioch as Told in a Medieval Lectonary from Piacenza. Edition with Introduction and Translation, Studia Latina Stockholmiensia 57 (Stockholm: Stockholms universitet, 2012).


Editioner under slutförberedelse:

CROSTINI, Barbara
Digital utgåva av Psalteren Vaticanus graecus 752 och dess catena-kommentar, Vatikanbibliotekets webbsida.

Utgåva med översättning av Hesychios av Jerusalems De titulis psalmorum. Corpus Christianorum. Series Graeca (Turnhout: Brepols).

JENSEN, Brian M.
Lectionarium Placentinum: Edition of a Twelfth-Century Lectionary for the Divine Office, I:1: Temporale, Pars hiemalis (Florens: SISMEL, Edizioni del Galluzzo [2016]).

Lectionarium Placentinum: Edition of a Twelfth-Century Lectionary for the Divine Office, I:2: Temporale, Pars estiva (Florens: SISMEL, Edizioni del Galluzzo [2016]).

Lectionarium Placentinum: Edition of a Twelfth-Century Lectionary for the Divine Office, II:1: Sanctorale, Pars hiemalis (Florens: SISMEL, Edizioni del Galluzzo [2017]).

Lectionarium Placentinum: Edition of a Twelfth-Century Lectionary for the Divine Office, II:2: Sanctorale, Pars estiva. (Firenze: SISMEL, Edizioni del Galluzzo [2017]).


KIHLMAN, Erika
Expositio sequentiarum. Edition with Introduction. Corpus Christianorum. Continuatio Mediaeualis (preliminär titel; Turnhout: Brepols [kommande]).


ODELMAN, Eva
Sermones moralissimi de tempore by Nicolaus de Aquaevilla.
        A Model Sermon Collection. Corpus Christianorum. Continuatio Mediaevalis (Turnhout: Brepols [kommande]).


SEARBY, Denis
The Sayings and Maxims of the Greeks. An edition of the Gnomologium Vaticanum and related collections. Writings from the Greco-Roman World (SBL Publications [2017]).
   


ARTIKLAR I URVAL:

ANDRÉE, Alexander
“The Glossa ordinaria on the Gospel of John: A Preliminary Survey of the Manuscripts with a Presentation of the Text and its Sources”, Revue bénédictine 118 (2008), 109–134 och 289–333.

“Anselm of Laon Unveiled: the Glosae super Iohannem and the Origins of the Glossa ordinaria on the Bible”, Mediaeval Studies 73 (2011), 217–240.

“Laon Revisited: Master Anselm and the Creation of a Theological School in the Twelfth Century”, Journal of Medieval Latin 22 (2012), 257–281.

“Magisterial auctoritas and Biblical Scholarship at the School of Laon in the Twelfth Century”, i Auctor et auctoritas in medii aeui litteris. Proceedings of the Sixth International Conference of Medieval Latin Studies at Benevento, 2010 (Florens: SISMEL, Edizioni del Galluzzo, 2014), 3–16.

 “Editing the Glossa ‘Ordinaria’ on the Gospel of John: A Structural Approach”, i The Arts of Editing (se ovan).

BUCOSSI, Alessandra
“The Sacred Arsenal by Andronikos Kamateros: Text and Context”, i Proceedings of the 21st International Congress of Byzantine Studies, London, 21–26 August, 2006, vol. 3: Abstracts of communications, red. E. Jeffreys och J. Gilliland, (Aldershot: Ashgate, 2006).

“New Historical Evidence for the Dating of the Sacred Arsenal by Andronikos Kamateros”, Revue des Études Byzantines 67 (2009), 111–130.

“George Skylitzes’ Dedicatory Verses for the Sacred Arsenal by Andronikos Kamateros and the Codex Marcianus Graecus 524”, Jahrbuch der Österreichischen Byzantinistik 59 (2009), 37–50.

“The Sacred Arsenal by Andronikos Kamateros: A Forgotten Treasure”, i Byzantine theologians. The systematization of their own doctrine and their perception of foreign doctrines, red. A. Rigo och P. Ermilov. Quaderni di Nea Romi 3. Rivista di Ricerche Bizantinistiche (Rom: Università di Roma-Tor Vergata, 2009), 33–50.

“The Critical Edition of a Patristic Anthology: Problems and Possible Solutions”, i Proceedings of the 22nd International Congress of Byzantine Studies, Sofia, 22–27 August, 2011, vol. 3: Abstracts of free communications, red. A. Nikolov (Sofia: Bulgarian Historical Heritage Foundation, 2011), 165–166.

“Dialogues and Anthologies of the Sacred Arsenal by Andronikos Kamateros: Sources, Arrangements, Purposes”, i Encyclopaedic Trends in Byzantium. Proceedings of the International conference held in Leuven, 6–8 May 2009, red. C. Macé och P. Van Deun. Orientalia Lovaniensia Analecta 212 (Leuven: Peeters, 2011), 269–284.

“Dibattiti teologici alla corte di Manuele Comneno”, i Vie per Bisanzio: VIII Congresso dell’Associazione Italiana di Studi Bizantini Venezia, 25–28 novembre 2009, red. A. Rigo, A. Babuin och M. Trizio (Bari: Edizioni di Pagina, 2012).

“The Use of an Apparatus Collationum Fontium for the Critical Edition of a Patristic Anthology”, i The Arts of Editing (se ovan).

“The Sacred Arsenal by Andronikos Kamateros: Using Biblical Quotations as a Rhetorical tool”, i Reading in Byzantium and Beyond – collection of papers for Elizabeth and Michael Jeffreys, red. I. Toth, N. Gaul och T. Shawcross (Cambridge: Cambridge University Press [2017]).


CROSTINI, Barbara
“Commenting the Psalter in Eleventh-Century Constantinople: An Image of the Paralipomena Ieremiou in the Theodore Psalter”, Ars edendi Conference, 21–22 September 2010, Toronto: http://medievaltexts.utoronto.ca/2012/01/papers-from-the-ars-edendi-workshop-2010/

“The Greek Christian Bible”, i The New Cambridge History of the Bible, vol. 2: From 600 to 1450, red. R. Marsden och A. Matter (Cambridge: Cambridge University Press, 2012), pp. 41–55.

“Book and Image in Byzantine Christianity: Polemics or Communication?”, i Byzantine Aesthetics and Theurgy, red. S. Mariev och W.-M. Stock. Byzantinisches Archiv 25 (Berlin: De Gruyter, 2013), 99–119.

“Catechetical Teaching in Byzantium in Eleventh-Century Constantinople: the Cases of Paul Evergetis and Vaticanus graecus 752”, i Networks of Learning – Scholars in Byzantium and the West, 1000–1200: Proceedings from the ‘Charismatic Authority, Spiritual Friendship’ workshop, red. S. Stickel, N. Gaul och M. Grünbart (Berlin: LIT, 2014), 89–106.

“Digitizing Greek Manuscripts: Benefits and Prospects”, i Proceedings of the 14th International Congress on the Care and Conservation of Manuscripts, red. Michael Driscoll och Raghneduir Mosesdottir (Köpenhamn: Museum Tusculanum, 2014), 373–382.

“Hesychius of Jerusalem: An Exegete for both East and West”, i Patristic Studies in the Twenty-first Century: Proceedings of an International Conference to Mark the 50th Anniversary of the International Association of Patristic Studies, red. Carol Harrison, Brouria Bitton-Ashkelony och Theodore de Bruyn (Turnhout: Brepols, 2015), 343–363.

 “Introduction”, med Glenn Peers, i A Book of Psalms from Eleventh-Century Byzantium: the Complex of Texts and Images in Psalter Vat. gr. 752: Proceedings of an Ars edendi Workshop, Rome, 11–13 June 2012, red. Barbara Crostini och Glenn Peers. Studi e Testi (Vatikanstaten: Biblioteca Apostolica Vaticana [2016]).

“Hesychius of Jerusalem’s Prologue to the Psalms Revisited in the Light of Vat. gr. 752 and its Illustrative Programme”, med Mariachiara Fincati, ibid.

“Editing a Greek Catena from a Single Illuminated Manuscript (Vat. gr. 752)”, i The Arts of Editing (se ovan).

“Arranging a Catena: the Commented Psalter in MS Vaticanus graecus 752”, i Actes du Colloque international Le Commentaire, du manuscrit à la toile, Brussels, 19–20 mars 2015, red. Laura Calabrese and Laurence Rosier (kommande).

“Athanasius’s Letter to Marcellinus as Psalter Preface”, i Festschrift NN, red. Charalambos Dendrinos och Bram Roosen (kommande).

“An On-line Edition of MS Vaticanus graecus 752: Text or Texts?”, i Constitutio textus. Establishing the Critical Text, red. Adele Cipolla et alii (Berlin: De Gruyter, kommande).


GÖRANSSON, Elisabet
“Connecting the Case Studies: Editorial Methods and the Editorial Circle Model”, i The Arts of Editing (se ovan).


IVERSEN, Gunilla
 “Regnum tuum solidum in Ivory Diptychs ans Liturgical Manuscripts. Observations on early prosulas to the Gloria in excelsis”, i Dies est leticie: Essays on Chant in Honour of Janka Szendrei, red. David Hiley och Gábor Kiss (Ottawa: Institute of Mediaeval Music, 2008), 307–332.

“Maiestas Domini dans le chant de Gloria. Prosules de Gloria en Aquitaine”, i Lingua mea calamus scribae: Mélanges offerts à madame Marie-Noël Colette, Études Grégoriennes XXXVI, red. Daniel Saulnier, Katarina Livljanic och Cristelle Cazeau-Kowalski (Solesmes: Froidfontaine, 2009), 173–205.

“Virgil, the Psalms, and New Poetic Genres in Medieval Latin Literature”, i Latinitas perennis II. The Appropriation by Latin Literature, red. Yanick Maes, Jan Papy och Wim Verbaal, Brill’s Studies in Intellectual History 178 (Leiden: Brill, 2009), 129–162.
   
“Assonance, Variation, Repetition. Editing Prosula Texts in the Gloria Chant”, i Cantus Planus. Vienna, Austria, 2011, International Musicological Society Study Group, red. Robert Klugseder, James Borders et alii (Purkersdorf: Österreichische Akademie der Wissenschaften, Kommission für Musikforschung, 2012), 174–181.

“Tropes and Prosulas to Gloria in excelsis in Montecassino”, i Musica e liturgia a Montecassino nel Medioevo. atti del Simposio internazionale di studi (Cassino, 9–10 dicembre 2010), red. Nicola Tangari. Scritture e libri del Medioevo (Rom: Viella, 2012), 91–114.

“The Role of the Compiler in Tropes and Prosulas to Gloria in excelsis in the
    Medieval Mass: Editorial Problems and Proposed Solutions”, i Auctor et Auctoritas in Latinis Medii Aevi Litteris, Atti IMCL 2011, red. Edoardo D’Angelo och Jan Ziolkowski (Florens: SISMEL, 2014), 521–535.

“Tropes”, Oxford Bibliographies Online <www.oxfordbibliographies.com>.

“Editing Texts in Many Local Versions: Text Edition of Tropes and Prosulas to the Gloria Chant in the Medieval Mass”, och “Preface”, i The Arts of Editing (se ovan).

“Resonet coram te rex. Reflexions on the Role of the King in Early Proses and Tropes”, i Music in the Carolingian World: Witnesses of a Metadiscipline, red. G. Boone (kommande).


JENSEN, Brian M.
 “Saints celebrated with a proper mass in Piacenza in the XI–XIV centuries”, i Rivista Internazionale di Musica Sacra (NS) 28 (2008), 119–131.

“Alcuin and Pseudo-Alcuin in codex placentinus 6”, i Hortus troporum. Florilegium in honorem Gunillae Iversen, red. Alexander Andrée och Erika Kihlman, Studia Latina Stockholmiensia 54 (Stockholm, 2008), 189–199.

“Il progetto ‘Ars edendi’ e l’edizione della versione piacentina della vita di sancta Brigida” i Medioevo piacentino e altri studi. Atti della Giornata di studi in onore di Piero Castignoli (Biblioteca Storica Piacentina n.s. 29), red. Anna Riva (Piacenza: Tip.Le.Co., 2009), 95–108.

“Varför allt detta snack om texttolkning? Punktnedslag i ett medeltida lektionarium från Piacenza”, i Vandring genom tiden. Till Anders Cullhed 18/3 2011, red. Thomas Götselius, Anders Olsson och Boel Westin (Stockholm: Brutus Östlings bokförlag Symposium, 2011), 133–142.

“A Modified Diplomatic Edition of Lectionarium Placentinum”, i The Arts of Editing (se ovan).

“Unidentified Sermons Attributed to Augustine in Lectionarium Placentinum: Reception and Liturgical Use of Augustine in a Twelfth-Century Lectionary for the Divine Office” i Ministerium sermonis III, red. Gert Partoens, Shari Boodts et alii (Turnhout: Brepols [2016]).

“Hugo Eterianus and his two Treatises in the so-called Demetrius of Lampe affair” i Never the Twain Shall Meet, red. Denis M Searby, Byzantinische Archiv (Berlin: De Gruyter [2016]).

“Justina and Antoninus, compatroni di Piacenza” i Ora pro nobis II: Space, Place and the Practise of Saints’ Cults across the Reformations, Copenhagen March 13, 2015 (kommande).


KIHLMAN, Erika
“Commentaries on Verbum dei deo natum in Fourteenth- and Fifteenth-century Manuscripts”, i Leaves from Paradise: The Cult of John the Evangelist at the Dominican Nunnery of Paradies bei Soest, red. Jeffrey Hamburger, Houghton Library Studies 3 (Cambridge, MA: Houghton Library of the Harvard College Library, 2008), 101–131.

“Medieval Sequence Commentaries: Traditions and Techniques”, i Papers read at the 15th Meeting of the IMS Study Group Cantus planus. Dobogók&#337;/Hungary, 2009, Aug. 23–29, vol. I, red. Barbara Haggh-Huglo och Debra Lacoste (Lions Bay, BC, Kanada: The Institute of Mediaeval Music, 2013), 343–359.

“The ‘Representative Text’: Editing Sequence Commentaries”, i The Arts of Editing (se ovan).

 “Guest editorial”, Mirabile dictu! The Newsletter of the Center for Medieval and Early Modern Studies (CMEMS) at the University of Colorado (2014:5), 4&#8722;5: http://cmems.colorado.edu/wp-content/uploads/2014/05/MIRADICTU-2014-05.pdf [besökt 140501].

“Notker without the Music: Late-Medieval Sequence Commentaries”, i Basler Jahrbuch für Historische Musikpraxis (kommande).


ODELMAN, Eva
 “Editing the Sermones moralissimi de tempore by Nicolaus de Aquaevilla”, i Constructing the Medieval Sermon, red. Roger Andersson (Turnhout: Brepols, 2007), 165–176.

“A ‘Semi-Critical’ Edition of the Model Sermon Collection. Sermones Moralissimi de Tempore by Nicolaus de Aquaevilla” I The Arts of Editing (se ovan).


SEARBY, Denis
“Byzantine ‘Encyclopedism’, Sacro-Profane Florilegia and the Life of Saint Cyril Phileotes” i Doron Rhodopoikilon: Studies in honour of Jan Olof Rosenqvist, red. Denis Searby, Ewa Balicka Witakowska och Johan Heldt (Uppsala: Acta Universitatis Upsaliensis, 2012), 197–210.
 
Recension av Jens Gerlach, Gnomica Democritea, i Gnomon. Kritische Zeitschrift für die gesamte klassische Altertumswissenschaft 84 (2012), 100–107.

“Greek Collections of Wise and Witty Sayings”, i Comparative Oriental Manuscript Studies, red. Eugenia Sokolinski (Hamburg: COMSt, 2015), 443–448.

med Måns Bylund och Pontus Österdahl, Apophtegmata et gnomae secundum alphabetum. Annotated edition of Greek Gnomologia, (digital edition SAWS, 2013): <http://www.ancientwisdoms.ac.uk/library/gnomologia/>.

“The Dicts and Sayings of the Philosophers in the Digital Age” i The Arts of Editing (se ovan).
 
&#8195;






Appendix 1-7

Appendix 1

Ars edendi Annual report 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015
Se Ap. 6 Bilagda publikationer och Hemsidan www.arsedendi.org&#8195;


Appendix 2

ARS EDENDI
Öppna föreläsningar

2008

Nigel Wilson, Lincoln College, Oxford University
“Future Tasks for Editors”

Jan Ziolkowski, Harvard University
“From Script to Print, From Print to Bytes, and From Latin to Vernacular: De laude scriptorum” &#8232;

2009

Timothy Janz, Biblioteca Apostolica Vaticana
“In Search of the Lost Scribes: A Numerical Approach to Greek Palaeography”

Peter Stotz, Universität Zürich
“Research on Early Medieval Rhythmical Poetry: Some Results and Some Problems”

2010

Nicole Bériou, Université Lumière, Lyon
“A Challenge for the Editors of Medieval Latin Texts: Do Written Sermons Represent an Accurate Documentation for Research on Preaching during the Middle Ages?”

Pascale Bourgain, Bibliothèque nationale de France, Ecole nationale des Chartes, Paris
“Stylistique comme instrument de travail pour l’édition des textes”

Elisabeth Jeffreys, Oxford University
“Tapestries of Quotations: The Challenges of Editing Byzantine Texts”

David d’Avray, University College, London, British Academy
“Editing Medieval Texts: the Problem of Contamination”

Michael Herren, York University, Toronto
“Is the Author Really Better than His Scribes? Problems of Editing Pre-Carolingian Latin Texts”

Caroline Macé, Katholieke Universiteit Leuven
“Is Textual Criticism a Science? Drawing the Phylogenetic Tree of a Manuscript Tradition. The Case of Florilegium Coislinianum”

2011

Dieter Roderich Reinsch, Freie Universität, Berlin
“What Should an Editor Do with a Text Like the Chronographia of Michael Psellos?”


William Flynn, University of Leeds
“Liturgical Ductus and Editorial Practice”

2012

Mats Dahlström, Högskolan i Universitet
“Editing Libraries”

Michael Winterbottom, Oxford University
“Moving the Goal Posts: The Re-writing of Medieval Latin Prose Texts”

John Duffy, Harvard University
“Joys and Challenges of Editing Greek Rhythmical Prose: the Case of Sophronius of Jerusalem”

Tiziano Dorandi, Centre National de la Recherche Scientifique (CNRS)
“Diogenes Laertius and the Gnomological Tradition: Considerations from an Editor of the Lives of the Philosophers”

Frank Coulson, Ohio State University
“The Editing of Medieval Latin Commentaries on the Classics: Problems and Perspectives”

Mariken Teeuwen, Huygens ING - Royal Netherlands Academy of Arts and Sciences
“Writing in the Blank Space of Manuscripts: Evidence from the Ninth Century”

Giovanni Paolo Maggioni, Università degli studi del Molise
“Editing Errors! The Presence of Authorial and Editorial Errors in Original Texts”

2013

Charles Atkinson, Ohio State University
“The Sanctus and Agnus Dei of the Roman Mass, with their Tropes: the
Odyssey of an Edition”

Stefan Hagel, Austrian Academy of Sciences, Vienna
“Ancient Greek Music: Reconstructing Sound?”

2014

Charalambos Dendrinos, University of London
“Ars computistica ancilla artis editionum: Modern IT in the Service of Editors of (Greek) Texts”

Richard Janko, University of Michigan
“How to Reconstruct and Edit a Herculaneum Papyrus: A Practical Demonstration”
&#8232;
Marjorie Curry Woods, University of Texas, Austin
“The Good, the Bad and the Ugly. Manuscript Framing, Formatting and Highlighting as Paratextual Commentary”&#8232;

Glenn Most, University of Chicago, Scuola Normale Superiore di Pisa
“What is a critical edition?”

Peter Robinson, University of Saskatchewan, Canada
“The Digital Revolution in Textual Scholarship”



&#8195;
Appendix 3

Ars edendi Lectures Series, vols I-IV


Ars edendi Lecture Series, vol. I
Se Ap. 6 bilagda publikationer

Ars edendi Lecture Series, vol. II
Se Ap. 6 bilagda publikationer

Ars edendi Lecture Series, vol. III
SeAp. 6 bilagda publikationer


Ars edendi Lecture Series. Volume IV
Ed. by Barbara Crostini, Gunilla Iversen and Brian M. Jensen
(forthcoming spring 2016)

Table of Contents

Introduction
Barbara Crostini, Gunilla Iversen and Brian M. Jensen

1. ‘Writing in the Blank Space of Manuscripts: the Ninth Century’
Mariken Teeuwen, Huygens ING - Royal Netherlands Academy of Arts and Sciences

2. ‘Editing Errors! The Presence of Authorial and Editorial Errors in Original Texts’
Giovanni Paolo Maggioni, Università di studi del Molise

3. ‘The Sanctus and Agnus Dei of the Roman Mass, with their tropes: the Odyssey of an Edition’
Charles Atkinson, The Ohio State University

4. ‘Ars computistica ancilla artis editionum: Modern IT at the Service of Editors of Greek Texts’
Charalambos Dendrinos, Royal Holloway, London

5. ‘How to Reconstruct and Edit a Herculaneum Papyrus: a Practical Demonstration’
Richard Janko, University of Michigan

6. ‘What is a Critical Edition?’
Glenn W. Most, University of Chicago/Scuola Normale Superiore di Pisa

7. ‘The Digital Revolution in Textual Scholarship’
Peter Robinson, University of Saskatchewan






Appendix 4

Konferenser, workshop mm

2008
Gunilla Iversen
20–21 August, Sigtunastiftelsen, Sigtuna: RJ conference on Premodernity: Presentation of Ars edendi (with BMJ).

Alexander Andrée
7–8 July, University of Leeds, International Medieval Conference: “Et uidi librum scriptum intus et foris: Interpretational Strategies in the Glossa ordinaria on the Bible”.

Alessandra Bucossi
9–12 October, St. Tikhon’s Orthodox University, Moscow, XIX Annual Theological Conference of St. Tikhon’s Orthodox University: Byzantine Theology (IX–XV cc.): Systematization of the own Doctrine and Perception of the Foreign one: “The Sacred Arsenal by Andronikos Kamateros, a Hidden Treasure”.
5–6 December, Rome, Giornata di studio dell’Associazione Italiana di Studi Bizantini: Ortodossia ed eresia a Bisanzio (sec. IX–XII): “Andronico Camatero e la zizzania: sulla politica ecclesiastica bizantina in età comnena”.

Brian Møller Jensen
17–21 April, Athens, Marginalization in Premodern Times, RJ network group: “A marginal religious problem in the 12th century?”.
14–21 May, Piacenza, Giornata di studi in onore di Piero Castignoli: “Per un’edizione della versione piacentina della vita di santa Brigida”.
20–21 August, Sigtunastiftelsen, Sigtuna: RJ conference on Premodernity: Presentation of Ars edendi (with GI).

Erika Kihlman
7–9 November, Louisville, KY, Society for Textual Scholarship at South Atlantic Modern Language Association: “A new version or a new work? The case of medieval sequence commentaries”.

Denis Searby
5–8 March, Università Cattolica del Sacro Cuore, Milan, Deciding Culture: Stobaeus’ Collection of Excerpts of Ancient Greek Authors: “On the chapter-headings in Stobaeus”.
7–9 November, South Atlantic Modern Language Association, Kentucky: “The Transmission of Greek Lyric Poetry in the Greek Anthologies”.
12 November, Department of Classics and Early Christianity, Ave Maria University, FL: “Stobaeus on Family Values in Late Antiquity” and “Thomists in Byzantium” (invited speaker).



2009
Gunilla Iversen
17–21 June, Colloque Limoges-Saint-Yrieix-Poitiers, Chapitres séculiers et production artistique au XIIe siècle: “Tropes du tropaire-prosaire de Saint-Yrieix (Paris, BnF MS lat. 903)”.
23–29 August, Dobogók&#337;, Hungary, The 15th Meeting of the IMS Study group Cantus planus: “Expressing the Ineffable. Music in the Texts of Medieval Latin Liturgical Lyrics” (keynote-speaker).
15 October, Stockholm University, Pre-Modern Text Seminar: “From oral to written, from text to music: Discussion on subjects treated in La parole chantée”.

Alexander Andrée
30 January, Toronto, Nostra eruditio: Current Work at the Centre for Medieval Studies: “Viginti fere quinque abhinc annos: Re-addressing the ‘Gloss problem’”.
Academic Sermons, a workshop organized by SLUUM and sponsored by the Nordic 27–28 May, Centre for Medieval Studies at the Centre culturel suédois, Paris: “The University Sermons and Disputed Questions of Christopherus Laurentii de Holmis: Second Sermon, Thursday after the first Sunday in Lent (1436?)”.
7–9 July, Stockholm-Uppsala, Ars edendi workshop “Too Many Manuscripts”: “Verbum substantiale: Preparing a Critical Edition of the Precursor of the Gloss on the Gospel of John” and “The Glossa ordinaria on the Gospel of John: Are There Too Many Manuscripts and Is A Critical Edition Possible?”.

Alessandra Bucossi
6–8 May, Katholiek Universiteit Leuven, Belgium, Encyclopaedic Trends in Byzantium?: “Dialogues and anthologies of the Sacred Arsenal by Andronikos Kamateros: sources, arrangements, purposes” (invited speaker).
7–9 July, University of Leeds, International Medieval Congress: “The Sacred Arsenal by Andronikos Kamateros”.
25–28 November, Università Ca’ Foscari, Venice, VII Congresso Nazionale dell’Associazione italiana di Studi Bizantini (AISB): “Dibattiti teologici alla corte di Manuele Comneno”.

Brian Møller Jensen
30 March–1 April, University of Birmingham, Applying semantic web technologies on manuscript research. European Science Foundation Exploratory workshop: “Ars edendi. Methodological models for modern editions of medieval latin texts”.

Erika Kihlman
27–28 May, Paris, Academic Sermons. A workshop organized by the project Swedish Students at Universities Abroad in the Middle Ages and sponsored by the Nordic Centre for Medieval Studies at the Centre culturel suédois: “Bero Magni – Sermo in die nativitatis Domini, Anno 1444”.
23–29 August, Dobogók&#337;, Hungary, The 15th &#924;eeting of the IMS Study group Cantus planus: “Medieval Sequence Commentaries: Traditions and Techniques”.
2–3 November, Stockholm University, Ars edendi workshop: Versions and Variants: the editing of fluid texts: “A version or a work? Problems and solutions for an edition”.

Denis Searby
6–8 May, Katholiek Universiteit Leuven, Belgium, Encyclopaedic Trends in Byzantium?: “The sacro-profane florilegia and their relationship to encyclopedism” (invited speaker).
2–3 July, All Souls College, University of Oxford, Arabic Compendia. Investigations into a literary genre, with a focus on philosophical texts: “Gnomes in the Classroom” (invited speaker).
1–3 December, Hamburg, Launching conference of the “ESF/RNP Comparative Oriental Manuscript Studies”: Presentation of Ars edendi.


2010
Gunilla Iversen
20–23 September, University of Toronto, Ars edendi Board Meeting and Ars edendi Conference in collaboration with the Centre for Medieval Studies: “On the edition of Gloria tropes and prosulas”.
10–14 November, Naples and Benevento, Auctor et auctoritas in Latinis medii aevi litteris. Sixth Congress of the International Committee of Medieval Latin Studies: “The Role of the Compiler in Medieval Liturgical Poetry”.
9–10 December, Cassino, International Conference on Liturgy and Music in Montecassino: “Tropes and Prosulas to Gloria in excelsis in Montecassino” (invited speaker).

Alexander Andrée
18–20 March, Yale University, New Haven, CT, Medieval Academy of America Annual Meeting: “In principio erat uerbum: the Gospel of John, Anselm of Laon, and the Origins of a Standard Commentary to the Bible”.
13–16 May, Western Michigan University, Kalamazoo, MI, 45th International Congress on Medieval Studies: “Positive plagiarism: Anselm of Laon’s Commentary on the Gospel of John”.
26–29 May, Berlin, Swedish Scholars at Foreign Universities in the Middle Ages (SLUUM) seminar: “The Disputation in vesperiis and Recommendation in aula of Master Christopherus Laurentii de Holmis, Leipzig 1438”.
20–23 September, University of Toronto, Ars edendi Board Meeting and Ars edendi Conference (organizer).
4–5 October, University of Winnipeg, Acts of Pilate Workshop: “A Cloud of Witnesses: Editing Texts Preserved in an Abundance of Manuscripts”.
10–14 November, Naples and Benevento, Auctor et auctoritas in Latinis medii aevi litteris. Sixth Congress of the International Committee of Medieval Latin Studies: “Magisterial Auctoritas, Latin Letters and Biblical Studies at the School of Laon in the Twelfth Century”.

Alessandra Bucossi
7–8 June, Stockholm University, Ars edendi lecture and seminar: Tapestries of quotation: the challenge of editing Byzantine texts (Organizer).
20–23 September, University of Toronto, Ars edendi Board Meeting and Ars edendi conference: “Editing a Patristic Anthology? How and Why?”.

Barbara Crostini
20–23 September, University of Toronto, Ars edendi Board Meeting and Ars edendi Conference: “An image from the Paralipomena Jeremiou and its significance in the Theodore Psalter”.
1–3 October, Trinity College Dublin, Ireland, Convivencia in Byzantium? Cultural Exchanges in a Multi-Ethnic and Multi-Lingual Society. European Science Foundation Exploratory Workshop (co-sponsored by Ars edendi) (Organizer).

Brian Møller Jensen
20–23 September, University of Toronto, Ars edendi Board Meeting and Ars edendi Conference:“Lectionarium Placentinum as a challenge to the editor”.
9–10 December, Cassino, International Conference on Liturgy and Music in Montecassino: “Non-biblical introit antiphons in Cassine liturgical sources”.

Erika Kihlman
18–20 March, New Haven, CT, Medieval Academy of America Annual Meeting: “Poetry in motion. The sequence commentary as a vehicle for grammar teaching”.
20–23 September, University of Toronto, Ars edendi Board Meeting and Ars edendi Conference: “Editing fluid texts. The case of the sequence commentary”.

Eva Odelman
1–3 June, León, Spain, Lexical influences of other languages on Medieval Latin, 4th International Conference on Medieval Latin Lexicography: “Latin et suédois en interaction. Nouveaux exemples”.
3–4 September, Stockholm University, Ars edendi workshop: More or Less Critical Editions. Workshop on problems in the editing of medieval texts: “Problems in Editing Medieval Model Sermons” (Organizer).
20–23 September, University of Toronto, Ars edendi Board Meeting and Ars edendi Conference: “Methodological Problems in Editing Model Sermons”.

Denis Searby
6–9 January, Anaheim, CA, American Philological Association Annual Meeting, Session 17: Neo-Platonism and the East: “Stephan of Alexandria, Last of the Neo-Platonists, First of the Medieval Sages”.
21–22 May, University of Uppsala, The Small World of Late Antiquity: Exploring Scholarly Cultures and Personal Networks in the Eastern Mediterranean of the Fourth to Sixth Centuries (Organizer).
14–17 September, Köln, 37. Kölner Mediävistentagung: Knotenpunkt Byzanz: “Demetrios Kydones: Defending Thomas or Defending Himself ”.
20–23 September, University of Toronto, Ars edendi Board Meeting and Ars edendi Conference: “On Preparing a DigitalHyperedition of Greek Gnomic Collections”.
25–26 October, Katholiek Universiteit Leuven, Belgium, Manuscripts as text witnesses and philology as text criticism, Comparative Oriental Manuscript Studies Team 2 Workshop: “Digital Solutions: The Case of the Gnomologium Vaticanum”.


2011
Gunilla Iversen
8 June, Stockholm, “Editing prosulas in the Gloria Chant I”.
20–24 August, Vienna, 16th Cantus planus conference: “Editing prosulas in the Gloria Chant II”.
26–28 October, Ohio State University, Columbus OH, Music in the Carolingian World: Witnessess to a Metadiscipline. A Conference in Honor of Charles M. Atkinson:“Resonet coram te rex. Reflexions on the role of the King in early Proses and Tropes”.
12 November, The Royal Library, Stockholm, Böcker om medeltiden: Presentation of Ars edendi lectures, volumes I and II.

Alexander Andrée
12–15 May, Kalamazoo, MI, 46th International Congress on Medieval Studies: “Medieval Sermon Studies III: Glossae.net: Scholarly Work on the Biblical Commentaries in the Digital Era (A Panel Discussion)”.
19–20 May, Akademie der Wissenschaften, Vienna, SLUUM Workshop: “The Academic Sermons of Christopherus Laurentii de Holmis”.
29–31 May, Fredericton, NB, Congress of the Canadian Society of Medievalists: “Swaying on the Shoulders of Giants: Reflections on the Daunting Task of Teaching Palaeography after Leonard Boyle and Virginia Brown”.

Alessandra Bucossi
2–3 May, Stockholm University, Ars edendi lecture and workshop “Editorial tools: punctuation, critical apparatus, apparatus fontium, etc” (Organizer).
22–27 August, Sofia, Bulgaria, 22nd International Congress of Byzantine Studies: “The critical edition of a patristic anthology: problems and possible solutions”.

Barbara Crostini
8–10 July, Salerno, Celebrations for the Millenary of the Abbey of Cava dei Tirreni, Salerno: “Byzantine Nuns and their Convents: Paradigms of Sanctification or Places of Penitence?”.
26–28 October, The Royal Swedish Academy of Letters, History and Antiquities, Stockholm, WANTED: Byzantium: “WANTED! More and Moore Psellos”.

Brian Møller Jensen
7–8 October, Reykjavik University, Translatio-network meeting: “Translatio-editio problematiken med exempel från Ars edendi programmet”.
22 November, Bergen University, Centre for Medieval Studies Seminar: “Paying a visit to an editorial laboratory. Presentation of the Ars edendi programme”.

Erika Kihlman
22 March, Stockholms medeltidsmuseum, Runica et Mediaevalia, Annual meeting Lecture: “En medeltida universitetskarriär – Bero Magni i Wien”.
5–8 October, Finnish Insitute, Rome, Studia Stemmatologica Conference: “Fluid text editing: the case of the sequence commentary”.
26 October, Riksarkivet, Stockholm, Research seminar: “Bero Magni – en svensk universitetslärare i 1400-talets Wien”.
6 December, Göteborgs universitet, Research seminar: “Studenten som stannade kvar – Bero Magni i Wien”.
   
Denis Searby
5–6 May, Uppsala University, First Uppsala Workshop on papyrology (Organizer).
2–5 June, Lund, Platonsällskapets symposion: “En annan, inte jag. Om en chria tillskriven Sokrates”.
22–27 August, Sofia, Bulgaria, 22nd International Congress of Byzantine Studies: Invited participant at Round Table Discussion on New Philology.
21–22 November, Uppsala University, Second Uppsala Workshop on papyrological studies (Organizer).

2012
Gunilla Iversen
11–13 June, Swedish School at Rome, Istituto Patristico Augustinianum and Biblioteca Apostolica Vaticana, Rome, Ars edendi Workshop On the Complex of Texts and Images in Psalter Vat. gr. 752: “Introduction”.
17–20 July, Universität Würzburg, Corpus monodicum. Die einstimmige Musik des lateinischen Mittelalters. Gattungen – Werkbestände – Kontexte. Seminar on manuscripts and editorial methods in Corpus monodicum: “Verba canendi in liturgical poetry”.
22–23 October, Third Board Meeting of the AE Advisory Board including Discussion of AE Case Studies with members of the AE, the IMLC and the AE Advisory Board, The Academy of Letters, History and Antiquities,.: “Liturgical lyrics in many local versions. Tropes and prosulas to Gloria in excelsis.”

Alexander Andrée
4–6 October, Toronto, Toronto-Freiburg Graduate Student Colloquium: Integrating Bodies of Knowledge: “Response to Giacomo Signore ‘Texts Accompanied by Texts in Late Medieval Culture: the Circulation of Knowledge Between Tendencies and Contingency’”.
9–12 May, Kalamazoo, MI, 47th International Congress on Medieval Studies: “The Glossa ordinaria (A Round Table)”.
9–11 March, University of Toronto, Dante and the Christian Imagination: An International Conference: “Curriculum Implications of the Conference: A Round Table – The Education of Dante”.

Alessandra Bucossi
7 November, Oxford, Oxford Byzantine Seminar: “De Graecis qui contra Latinos scripserunt” (invited speaker).

Barbara Crostini
2–4 February, Madrid, Spain, Textual Transmission in Byzantium: Between Textual Criticism and Quellenforschung: “Looking for Psellos in Miscellaneous Manuscripts: Trinity College Dublin and Beyond”.
24–26 March, University of Oxford, Being in Between: Byzantium in the Eleventh Century, 45th Spring Symposium of Byzantine Studies: “Eleventh-Century Monasticism between Politics and Spirituality”.
11–13 June, Swedish School at Rome, Istituto Patristico Augustinianum and Biblioteca Apostolica Vaticana, Rome, Ars edendi Workshop On the Complex of Texts and Images in Psalter Vat. gr. 752: “Towards a Multi-Level Publication of MS Vat. gr. 752” (organizer, speaker).
13–15 September, Verona, The Fourth Meeting on Digital Philology, Constitutio textus: Establishing the Critical Text: “An on-line edition of MS Vaticanus graecus 752”.
13–15 October, Copenhagen, International Conference on the Care and Conservation of Manuscripts: “Digitizing Greek Manuscripts: Benefits and Prospects”.

Brian Møller Jensen
10 September, Stockholm University, Centre for Medieval Studies Seminar: Presentation of the Justina-edition.
10 October, Stockholm University, Translatio-network meeting: Excursion to Uppland including presentation of the text scrolls in Härnevi church.
22–23 October, The Academy of Letters, History and Antiquities, Stockholm, Third Board Meeting of the AE Advisory Board including Discussion of AE Case Studies with members of the AE, the IMLC and the AE Advisory Board: “Modified diplomatic edition of Lectionarium Placentinum”.

Erika Kihlman
23–24 August, Sigtunastiftelsen, Sigtuna, Forntiden har en framtid, sypmosium arranged by Riksbankens Jubileumsfond: ”Latinet i Sverige”
26–28 November, Basel, Notkers Hand –Historische Musikpraxis zwischen Rezeptionsgeschichte und Anlasskultur: ”Notker without the Music: Late-Medieval Sequence Commentaries”.

Eva Odelman
12–15 September, Munich, Fachsprache(n) im mittelalterlichen Latein: “Philosophisches im schwedischen Mittellatein”.

Denis Searby
7–9 June, Uppsala University, Apophthegmata: “Visualizing a ‘Digital Edition of the Gnomologium Vaticanum’” (organizer and presenter).


2013
Gunilla Iversen
21–23 February, Rosersbergs slott, Stockholm, Entering the Editorial Laboratory, an Ars edendi workshop: “Introduction” and “Liturgical Lyrics in many Local Versions. Text Edition of Tropes and Prosulas to the Gloria Chant in the Roman Mass”.
3–5 April, Stockholm University, Ars edendi workshop “DOXA: Greek and Latin, texts and music”: “Introduction” and “Editing the Greek Doxa in the edition of Tropes and prosulas to Gloria in excelsis” [organizer, speaker, respondent].

Alexander Andrée
21–23 February,  Rosersbergs slott, Stockholm Entering the Editorial Laboratory, an Ars edendi workshop: “Editing the Glossa ordinaria on the Gospel of John: the ‘structuralist’ approach”.
29 January, University of Toronto, Medieval Latin Philology Seminar: “The Glosae super Iohannem of Anselm of Laon”.
19–20 June, IRHT, Paris, Le “Notre Père” au XIIe siècle: Lectures et usages: “Le Pater noster (Matth. 6, 9–13 et Luc. 11, 2–4) dans l’exégèse de l’école de Laon: la Glossa ordinaria et les autres commentaires”.
9–12 May, Kalamazoo, MI, 48th International Congress on medieval Studies: “Pugnae uerborum: Reflections on Editing the Epistula Anselmi and Other Exegetical Texts from the School of Laon”.

Alessandra Bucossi
22–28 September, University of Hamburg, 8th International Colloquium on Greek Palaeography, Section 5: Paléographie et recours aux techniques modernes: “Discovering the toolbox: computing for Palaeography” (invited speaker).

Barbara Crostini
21–23 February, Rosersbergs slott, Stockholm: Entering the Editorial Laboratory, an Ars edendi workshop: “From dream to project: Planning the electronic edition of a single illustrated ms”.
25-27 June, The Center for the Study of Christianity, Hebrew University, Jerusalem, Patristic Studies in the Twenty-First Century: An International Conference to Mark the 50th Anniversary of AIEP/IAPS (International Association of Patristic Studies): “Hesychios of Jerusalem: An Exegete for East and West”.
7–9 November, University of British Columbia, Vancouver, Canada, 41st Medieval Workshop: Interpreting Conflations: Exegesis and the Arts in the Middle Ages: “Illuminated Catenae and Psalms Engaged in Schism: MS Vat. gr. 752 in its Political Context” (with Glenn Peers).
11 November, Seton Hall University, New York, The Bond between Christian East and West: cultures and theologies in dialogue: “A Meeting Point between East and West: Hesychios of Jerusalem and the Interpretation of the Psalter in Byzantium”.
14 November, Pontifical Institute of Mediaeval Studies, Toronto, Canada: Departmental Seminar: “Byzantine Individualism and the Copying of Manuscripts”.

Brian Møller Jensen
21–23 January, Accademia di Danimarca, Rome, Fiction and Figuration in high and late medieval literature: “Fables of Phaedrus recycled in medieval Latin Literature”.
21–23 February, Rosersbergs slott, Stockholm: Entering the Editorial Laboratory, an Ars edendi workshop: “A modified diplomatic edition of Lectionarium Placentinum”.
4–5 April, Stockholm University, Ars edendi workshop “DOXA: Greek and Latin, texts and Music”: “Hugo Eterianus’ Greek and Latin versions of De sancto et immortali Deo”.
17 September, Stockholm University, Latin seminar: Presentation of “Correspondence connected to Hugo Eterianus’ treatise De sancto et immortali Deo”.
2–5 December, Fondazione Ezio Franceschini, Florence: Sesto corso di informazione sulla musica del medioevo (By invitation).

Erika Kihlman
21–23 February, Rosersbergs slott, Stockholm: Entering the Editorial Laboratory, an Ars edendi workshop: “The ‘representative’ text”.
26 September, Göteborg, Bok & Bibliotek 2103, Forskartorget: “Hur kan vi veta vad Cicero egentligen skrev?” (Popular presentation).
22–24 November, École normale supérieure, Paris, Variance in textual scholarship and genetic criticism/La variance en philologie et dans la critique génétique: “Textual Variation in Medieval Sequence Commentaries”.

Eva Odelman
21–23 February, Rosersbergs slott, Stockholm: Entering the Editorial Laboratory, an Ars edendi workshop: “The ‘semi-critical’method further developed: a modified ‘best manuscript’ edition of the model sermon collection Sermones moralissimi de tempore by Nicolaus de Aquaevilla”.

Deni

Grant administrator
Stockholm University
Reference number
M2007-0384:1-PK
Amount
SEK 33,000,000
Funding
RJ Programmes
Subject
Classical Archaeology and Ancient History
Year
2007